Nine Inch Nails: ADD VIOLENCE EP

Nine Inch Nails Official Store

(image source:

I am overwhelmed by the music being released this year already…so much I love and so much to look forward to.

One album soon to be released (July 21st, Friday) is Nine Inch Nails ADD VIOLENCE EP.

Two songs have been released already to the public LESS THAN and THIS ISN’T THE PLACE. The latter song was put up just yesterday on NIN’s official youtube channel. The song is melodic, slow and infectious. The video features a machine (audio equipment?) with knobs/buttons/lights labeled phrases such as ‘Amplify Chaos’ and ‘Add Violence’, as the song goes on the camera slowly pulls back revealing more of the machine.

The video is simple and after I viewed it for around the 50th time (not kidding) a few ideas came to me. I have long loved NIN and have worshiped creations by Trent Reznor. His lyrics and technique in song writing is extraordinary. Reznor often critiques society/politics and inner turmoil among other things in his song lyrics (think album YEAR ZERO).

A connection between Year Zero and ADD VIOLENCE is definitely there and NIN has given information about this. Info in article here.

My impression from the video might be a bit of a stretch but this is what I got, old machine (audio equipment of some sort, I’m guessing) appears aged and beaten up a bit but everything appears to ‘work’ as the machine turns on and comes to life. The machine could be a metaphor for a society that still runs on ‘old technology’ or ideals (phrases on buttons/knobs). A reference that comes to my mind is the machine in the underground facility in the early 2000’s TV show LOST. I’m not sure if this is audio equipment but if it is then my idea of a society that runs on ‘old technology or ideals’ could be the spoken word/thought process that is ‘old/archaic’ and still being used today. A bit of a stretch yes but that’s what I think of.

A few thoughts on the video for LESS THAN. Video begins with a woman staring at a TV screen with game controller in her hands (TV looks like an old chunky TV from the 90’s or early 2000’s) a neon bright animation is shown on the TV screen similar to a retro video game from the ’80’s . Lyrics are digitized and zoom up into the viewers face. This reminds me of virtual reality and societies trends today that revolve around the style and technology of past generations. It is as if the woman, in the video, is being consumed by this ‘new/old’ technology until her identity becomes nothing. The repeating line at the beginning of the chorus, “So what are you waiting for? You got what you asked for.” brings to my mind the idea that millennials (myself included) demand more of everything and for a generation that is overloaded with technology in their life, most of us get sucked into a ‘virtual reality’ of what ‘life is like’ (how people look, what people do, who they are etc. think social media/fashion trends and airbrushing photos for flawless skin). The end of the video has quick shots cut in of what I think is a hand reaching out of the TV…reference to VIDEODROME? Not sure but that’s what comes to mind.

(VIDEODROME (1983) photo source:


To sum it all up, I am excited for this new release from NIN and will be purchasing a digital copy and most likely a vinyl copy as well for my collection!!!

Please feel free to leave any comments below!

Thank you for reading my writing and I hope you return in the future!



p.s. I haven’t started watching the new season of Twin Peaks yet but damn NIN on the show is wicked, see video here.


Nine Inch Nails: Soundtrack to a Life I’ve Never Lived

Among the countless bands that I listen to there is not a single one that can compare to Nine Inch Nails. Founded by Trent Reznor in the late 1980’s (wiki) who has outlasted so many of his contemporaries. NIN (latter ‘N’ should be reversed) and other bands/projects by/with Reznor have a heart of their own, beating with the electric pulse of the modern world. Reznor has gone beyond as a musician, artist and composer. His unique style and technique in the production of music is like no other. From the raw hell of Pretty Hate Machine to the echoing screams of Not the Actual Events ( the works of NIN/Reznor are unmatched.

I can’t remember the first moment I heard NIN  but I feel like they must’ve been playing in the background for a good part of my childhood. My parents and relatives were always listening to music and between my Aunt, Uncle, and my Father I was exposed to a variety of music from the 1980’s on.

In High School I became deeply obsessed with bands like Nine Inch Nails, Marilyn Manson and Tool. I would spend hours looking through my Father’s CD collection, picking out random ones and popping them into my portable disk player. There was a huge range of music that I was exposed to thanks to my Father’s open mindedness and I credit my ability to explore and reference music to these days.

Every month I revisit multiple NIN albums and find myself re-exploring familiar territory but discovering something new every time.  I love it all to death and back but always pick up Pretty Hate Machine (spinning it on vinyl, nothing can compare), Ghosts I-IV, Hesitation Marks, and The Downward Spiral ( Usually I climb back and forth between these albums and others but always return to the brutal hearts of these four albums.

I immerse myself into the music, usually taking time out of my day to just sit down and listen to a record or a handful of songs at a time, trying to pick out parts and pieces. The words within the exploding lyrics that still echo in my mind after all these years haunt me and now I realize that these words inspired me early on to write. The time I take to do this is priceless and I feel that it is ultimately therapeutic. Next to Art and Writing, Music is as crucial part of my life that has contributed to a large collage soundtrack of memorable, horrible, dark, and wonderful moments of my life; not only echoing or playing in the background but expressing my life on a deeper level; emotionally audible.

The magnetic pull back to NIN and Reznor’s music keeps me going. Maybe I am responding to the rawness of it all, the anguish, pain and isolation that is expressed within the music. Maybe it is the tone and technique that feels like a synthetic world and an old world are colliding. Maybe it is the exploration of the digital and technological paired with the struggle of a self reflective mind and animal instincts that still possess humankind. Maybe it is the fresh wound made from living in this world that will never heal. Maybe NIN is the soundtrack to a life I’ve never lived.




If you’re reading this, Thank You for taking time out of your day to read my writing! I hope you return in the future!