Reflection on 101WKQK’s Interview with “Nine Inch Nails” (Being an “Old Rock Band”, Social Media and the Artist)

(featured image is a still from one of 101WKQK’s interviews with NIN)

I recently watched a short snippet provided on youtube of an interview with “Nine Inch Nails” by 101WKQK (published on youtube.com on Oct. 6th, 2017). The questions were answered by Trent Reznor, leading frontman, and revolved around NIN’s relation and involvement in Modern Day Festivals.

I found this seven-and-a-half minute interview illuminating as Reznor touched on being in an “Old Rock Band” still playing today alongside young musicians. Reznor also talks about being an artist and what that means to him in regards to how artists place themselves in the public sphere (social media etc.). Atticus Ross sat by Reznor and did not say much, whispered to Reznor frequently but said almost nothing.

I am a HUGE fan of Reznor and his projects with Atticus Ross (soundtracks for major motion pictures) and I loved NIN’s latest release “Add Violence” which came out in July. I was curious to hear his commentary and views on being an “Old Rock Band” particularly one that still plays instruments versus the computer-generated sounds and DJing which have taken over in the music industry as the popular form.

I personally like both kinds of music but relish in hearing music that is made solely by I guess they would be called now “classic” rock instruments; guitar, bass, drums, vocals, with little to none add-ons done after recording (background noise, effects, synthetic sounds) of course NIN’s music has way more involved than just the classic instruments but it is the fact that they still play and use them that makes them one of the “Old Rock Bands”. There is something amazing and beautiful hearing a band actually play instruments and create sound but there is arguably no difference between someone playing an instrument to create music versus playing on programs and computer software, the outcome is still the same, we get music and it does take talent and skill to create music that is generally accepted to be good or even legendary.

In the interview, Reznor was asked how it feels to play big music festival shows, particularly the two that they performed at this year. Ross whispers to Reznor every once in a while in response to the questions, I think Ross was more of letting Reznor take the reigns of answering these questions for this interview. Reznor replied,

“I think rock bands are out of fashion generally, you know these days but I don’t give a shit.”

Later going on to comment generally on how the younger artists such as Frank Ocean and DJ Khaled are completely different artists than NIN. Reznor also remarks on the need today for everyone to be on all social media, or as a platform for artists to have everything out there and available for audiences,

“I’m a big believer in less is more on that front and I said this elsewhere but…our decision making collectively comes from our experience….our tastes and our judgement…and the endless amount of decisions made…are not based on what we [NIN] think you’ll like but what we know we like…”

Reznor continues on the subject of social media and how, in his opinion, why people participate in it,

“…I think that now as everyone’s a publisher, everybody’s got a blog, and everybody’s got a facebook profile and instagram and snapchat, the world can’t wait to see everything about ‘my fantastic life’ that I’m presenting to you through a distorted lens about how awesome it is…”

This conversation on social media and the artist leads Reznor on to reflecting how he listened to music while he was growing up and that he rarely ever saw a picture of the actual band (which he loved, such as Pink Floyd) and that because of this there was a mystery about these bands, they were like “gods” to him that he could connect to according to how he felt when listening to their music. Reznor believes that it is important for the artist to have a little bit of mystery to them to fascinate people,

” I have grown to believe that trying to stay out of the limelight a bit, leave something to the imagination and I think an artist should be mysterious in my opinion…try to avoid the need to over saturate yourself…”

Reznor also mentions that although he does not believe personally inputting your entire life out there on social media that that is a particular thing for him and what it means to him to be an artist,

“…Times are different…I’m not trying to say its wrong…but I do think there are some lessons to be learned about the role of the artist, the role of art, the role of music, we still base it on what it was to us, what it meant to us, what matters to us…”

(quotes are from time marker 2:10-6:40)

I resonated with a lot of what Reznor discussed in this interview mainly because I have similar viewpoints and opinions on social media, the artist, and “Old Rock Bands”. I don’t have a facebook, on purpose, I think it is a total waste of time and I remember in high school when I did have one and it was starting to gain this traction as a thing where having as many “friends” as possible was what was desired. It was also growing to be more popular and more widely used by everyone I knew then, the now ancient and relatively unknown “Myspace”. After graduating from high school I “deleted” my facebook account because I wanted to start fresh, interpret that however you like I don’t care.

It is only in this year ( I am not counting my addiction to Tumblr that started in 2013 and reigned until the beginning of this year) that I finally got a Twitter (and kept it), got an Instagram and created this blog. I have held a very strong belief that if anyone wanted to be apart of my life they would come into my life, by this I mean, knowing what I’m doing, where I hang out, what I like, what food I eat, which is all the information that people generally share with everyone (the entire world) on most social media sites. I am still reluctant to be apart of an online community and put myself out there because I think there is something to be valued in an individual experience or one among a few people but times are changing and I acknowledge that I may be left in the dust if I don’t jump on the band wagon in some form or another (however I am aware of how much information I am putting out there on the internet and what it means to me).

I am an artist in that I am a musician, a Writer, and I actually create art, paintings, drawings etc. These are the ways in which I express myself and that I can connect with others. Reznor’s comments on the artist as a mysterious person I think is valid. There is so much more left to the imagination that is up for the audience to fill in. I do not know how people percieve my work in its many forms and I don’t care because all that matters is that I am getting my work out there and I hope there is a chance that it will help or mean something to someone who feels they can connect with it, that’s it.

Also, Reznor’s reflection on how he grew up listening to music gave me a kind of relief because I have a similar style to his. If I find new music that I enjoy the very last thing I do after listening, usually to a full album, of their music for a few months is google them. I make it a point not to look up a band’s pictures or history until after I decide I want to know more. This is an interesting venture for me now because I do like to use Spotify which has almost all of a bands info available alongside their music but it is a habit I’ve had for as long as I can remember. After I do look at pictures and info, I watch music videos which are a hit or miss experience for me every time. I can love a song for months and finally watch the music video which influences my interpretation of the song and how I feel about it after. I am trying to get better at this and look at music videos as another format of a song, an entity that can be evaluated seperately from the song, this does help but it is difficult because lines are blurred between the two most of the time, where does the art stop and start?

Overall, I wanted to post a quick reflection on this interview because I loved it and obviously related to what Reznor was saying. I hope that for any fans of NIN out there, they also find this interview if so talk to me! Let me know what you thought of it!

 

Thank you for reading my writing, I hope you will return in the future! 

-Alina 

 

Note: I am thinking about doing a quick review of “A Perfect Circle’s” single release “The Doomed” which has been available to audiences for a little over a month now. Any thoughts?

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Marilyn Manson’s latest release ‘Heaven Upside Down’

After years of Marilyn Manson and countless albums, we’ve come to ‘Heaven Upside Down‘ released only a couple weeks ago. ‘Heaven Upside Down’ calls back to the era of Manson where blame was put on the shock rocker for multiple problems within society (notably the Columbine Shootings which would mark Manson for the rest of his career).  Marilyn Manson a.k.a. Brian Warner seeks to shake the public from the comfort it finds within institutions that dumb them down and constricts them to beliefs that may be seen as more harmful (his opinion) than beneficial (Christian religions). It is worth it to look into the philosophical beliefs that Manson has himself and to acknowledge that behind his in your face attitude and abrasive personal beliefs there lies a man that is more brain and wits than just pure “Fuck You!” anthems on repeat.

‘Heaven Upside Down’ reminds me of a few earlier albums by Manson such as Mechanical Animals, Holy Wood, and The Golden Age of Grotesque (albums from the years 1998-2003). The ‘pop-iest’ song on the album I feel would be ‘KILL4ME’ that hooks listeners into a repeated chorus “Would you kill kill kill for me?”, a reminiscent love song that harkens back to the overwhelming betrayal and questioning in ‘The Golden Age of Grotesque’. There are also many songs on the album that comment on the socio-political state of America right now giving the album more weight with its sharp lyrical statements and catchy rhythms, songs such as ‘Saturnalia’ ‘Revelation #12’ and ‘WE KNOW WHERE YOU FUCKING LIVE’. A few songs that remind me of the album ‘Mechanical Animals’ would be ‘Je$u$ Cri$i$’ and ‘Blood Honey’. For ‘Holy Wood’ I would argue for ‘SAY10’ and ‘Tattooed in Reverse’. Although I do feel like many of the songs on this album synthesize multiple elements from these three albums, these particular songs could be interchangeable in where they would fit under as songs like those on ‘Mechanical Animals’, ‘Holy Wood’, or ‘The Golden Age of Grotesque’ songs.

This latest album by Manson is a welcomed one. I find relief in the music by one of my favorite artists especially in times like these. I would recommend this album to anyone with an open mind, well versed or new, to the music of Marilyn Manson, it is an album fitting for the season and year but not one to listen to lightly or shuffle through.

Music Videos thus far for songs on the ‘Heaven Upside Down’ album


 

Thank you for reading my writing! I hope you will return in the future! 

-Alina 

Chelsea Wolfe: Hiss Spun Album

Chelsea Wolfe’s latest album “Hiss Spun” was released on September 22nd of this year. “Hiss Spun” is her fifth album and features a synthesis of her trademark gloom-folk rock * that echoes with her uniquely haunting voice. The complexities within each song on the album are to be admired; mixing heavy guitar and pulsing drums that bring a feel of the darkly ritualistic. Notable tracks on this album (that stand out to me) include 16 Psyche, Vex, and Offering.

Chelsea Wolfe’s music offers (no pun intended on track ‘Offering’) an essence of the dark spirit that resides within us all. Her voice feels as if it echoes from a dimension within our minds and the human experience that is primal and yearning. To embrace her music is to expand your mind to the possibilities of the spirit and at the same time acknowledge your own quiet inner voice that echoes with Chelsea’s.

This is a short review and is more of a personal opinion than a complete deconstruction of the elements within this album. My goal is to queue the interest of readers so that they may want to listen to her music and see what they think for themselves.

Thank you!

-Alina


* Chelsea Wolfe, Spotify page ‘about’ describes her music as “doom-drenched electric folk”

Featured Image photo source: www.instagram.com/cchelseawwolfe

 

My Favorite Tracks: Chelsea Wolfe

Chelsea Wolfe’s magnetic voice echoes across a world of emulated darkness, a darkness that is welcomed. Her music often exudes a sense of other-worldliness, or a world we have long since forgotten, with tribal drums and mysteriously magical lyrics. I would say Wolfe touches on a darker and truer form of the human psyche, one that may still believe in old Gods and worship them, or one were there is an endless abyss that is a more holistic definition of human life.

That being said, here are some of my favorite songs by Chelsea Wolfe,

I am excited for the release of her new album HISS SPUN on Septebmer 22nd of this year and her upcoming American tour!

Chelsea Wolfe is coming to SALT LAKE CITY~! Oct. 28th at the Urban Lounge

 

Thank you for taking time out of your day to read my posts! I hope you will return in the future! -Alina

 

Currently Listening To: My Top Five Favorite Tracks

Queens of the Stone Age,  Tyler, The Creator , The Horrors, Eric Heron, Cage The Elephant.

 

1. The Evil Has Landed by Queens of the Stone Age

 

 

2. Boredom by Tyler, The Creator (with Rex Orange County and Anna of the North)

 

3. Take It or Leave It by Cage The Elephant (Album: Unpeeled)

 

4. Obi-Wan by Eric Heron

 

5. Something To Remember Me By   by The Horrors

 


 

Thank You for listening to my favorite jams this week! Hope you found something new and something that you like!

-Alina

Lana Del Rey : Lust for Life REVIEW

(photo by Neil Krug )

Just a few weeks ago, sad-pop singer Lana Del Rey released her latest album Lust For Life which contains 16 mind-blowing tracks that span a range of relevant topics but stick true to her ‘Summertime Sadness’ trademark. Lana Del Rey’s songs possess a nostalgia for an Americana landscape full of classic heroes and anti-heroes such as James Dean, Marilyn Monroe, Jim Morrison and God. Lana Del Rey a.k.a. Elizabeth Grant often blurs the lines between her persona and her self (Lizzy) or so the public thinks. Evidence of these blurry lines can be seen on stage when she performs, her presence is intense and mimic’s tones found in her music videos but there is something there within her that is honest and very very personal as she sings.

Lana Del Rey is a bad girl who lives in a past-present time shift full of drugs and abusive men, attributes that are linked to Lizzy’s personal life which she has used to evoke her inner muse since the beginning. Lana holds the reigns for a the millennial generation that can relate(?) to hard love, drugs and crime (possibly). Old American styles, and Hollywood icons that have been canonized by American culture are used creatively to highlight and paint her music, making her work uniquely American. Relate-able or not, Lana is doing something that no other musician is at this time, she is synthesizing her experiences and music with specific themes that evoke another life all together. Simply put, the world that Lizzy creates from her influences such as Americana and old Hollywoodland gives her a unique style that can only be found in her music and Lana Del Rey persona.

What does Lust For Life do that Lana’s other albums don’t?

Honeymoon, Lana’s previous albumwas released only two years ago but is a completely different animal from Lust for Life. It appears that Lana’s inward journey through reflecting on her romantic past is finally moving onto a social critique of a present day America. Can anyone blame her? In these troubling times it is more important than ever that cultural icons such as artists, musicians and actresses take a stand and speak out against ignorance and intolerance, they are the most viewed positions in our society for their relevance in our day-to-day lives (music/movies/performances) and they have the ability to speak to large audiences in monumental voices. It is evident that Lana is aware of this fact as she brings up socio-political issues in her songs while evoking past events such as ‘Coachella-Woodstock in My Mind’, the Beatles references (‘Tomorrow Never Came’) while at the same time nodding her head in recognition to one of her big influences Nirvana and Kurt Cobain (‘Heroin’). Her romances are still present and paint this album with darker blues in tracks such as ‘White Mustang’, ‘Cherry’, and ‘In My Feelings’. The handful of themes found within these tracks reflects moods that color the entire album as an intense vibrant experience full of love, life and worries. It’s as if the album is saying, I have my own issues with love and life but it’s worth it even when the world feels like it’s falling apart, this is evident in ‘When the World was at War we kept Dancing’.

Lust for Life also evokes more hip-hop tones that call back to Lana’s Born to Die album from 2012. There has been more discussion lately on cultural-appropriation in music and this topic is brought up in a recent interview with The Complex Cover.

Lana leaves us out of breath and bathing in a summer of blues and reflection as always but especially this year her album feels like a sucker punch to the gut chased with a hard drink leaving us dazed and close to knocked out for good.

MY PERSONAL RATING FOR LUST FOR LIFE :  4.5/5

I’ve been a Lana Del Rey fan since Born to Die, following Lana’s work closely for the past five years. I admire her skill to weave in multiple cultural references throughout her work while maintaining a strong theme and presence of self reflection. I love her blues and attitude towards the past which I find thought provoking. The only issue I have ever had with Lana is that she is not a feminist and the males in her songs are often volatile and abusive recalling a time (1950’s- ’60’s) when women were used up and treated as less than men (guess what….it’s still happening!!!). I respect Lana (Lizzy) as an individual and still admire her work regardless of her stance on feminist issues.

MY TOP TRACKS:

White Mustang

Summer Bummer

In My Feelings

Tomorrow Never Came

Heroin

 

SIDE NOTE:

The only question I have for Lana Del Rey,

Is Lust For Life a reference to Iggy Pop’s Lust for Life song???

If not, cool, if so…suddenly my three favorite things can be connected Iggy Pop, Lana Del Rey, and Trainspotting!


 

If you are reading this Thank You for taking time out of your day to read my writing!

I hope you will return in the future!

-Alina

Nine Inch Nails: ADD VIOLENCE EP

Nine Inch Nails Official Store

(image source: store.nin.com)

I am overwhelmed by the music being released this year already…so much I love and so much to look forward to.

One album soon to be released (July 21st, Friday) is Nine Inch Nails ADD VIOLENCE EP.

Two songs have been released already to the public LESS THAN and THIS ISN’T THE PLACE. The latter song was put up just yesterday on NIN’s official youtube channel. The song is melodic, slow and infectious. The video features a machine (audio equipment?) with knobs/buttons/lights labeled phrases such as ‘Amplify Chaos’ and ‘Add Violence’, as the song goes on the camera slowly pulls back revealing more of the machine.

The video is simple and after I viewed it for around the 50th time (not kidding) a few ideas came to me. I have long loved NIN and have worshiped creations by Trent Reznor. His lyrics and technique in song writing is extraordinary. Reznor often critiques society/politics and inner turmoil among other things in his song lyrics (think album YEAR ZERO).

A connection between Year Zero and ADD VIOLENCE is definitely there and NIN has given information about this. Info in article here.

My impression from the video might be a bit of a stretch but this is what I got, old machine (audio equipment of some sort, I’m guessing) appears aged and beaten up a bit but everything appears to ‘work’ as the machine turns on and comes to life. The machine could be a metaphor for a society that still runs on ‘old technology’ or ideals (phrases on buttons/knobs). A reference that comes to my mind is the machine in the underground facility in the early 2000’s TV show LOST. I’m not sure if this is audio equipment but if it is then my idea of a society that runs on ‘old technology or ideals’ could be the spoken word/thought process that is ‘old/archaic’ and still being used today. A bit of a stretch yes but that’s what I think of.

A few thoughts on the video for LESS THAN. Video begins with a woman staring at a TV screen with game controller in her hands (TV looks like an old chunky TV from the 90’s or early 2000’s) a neon bright animation is shown on the TV screen similar to a retro video game from the ’80’s . Lyrics are digitized and zoom up into the viewers face. This reminds me of virtual reality and societies trends today that revolve around the style and technology of past generations. It is as if the woman, in the video, is being consumed by this ‘new/old’ technology until her identity becomes nothing. The repeating line at the beginning of the chorus, “So what are you waiting for? You got what you asked for.” brings to my mind the idea that millennials (myself included) demand more of everything and for a generation that is overloaded with technology in their life, most of us get sucked into a ‘virtual reality’ of what ‘life is like’ (how people look, what people do, who they are etc. think social media/fashion trends and airbrushing photos for flawless skin). The end of the video has quick shots cut in of what I think is a hand reaching out of the TV…reference to VIDEODROME? Not sure but that’s what comes to mind.

(VIDEODROME (1983) photo source: imdb.com)

 

To sum it all up, I am excited for this new release from NIN and will be purchasing a digital copy and most likely a vinyl copy as well for my collection!!!

Please feel free to leave any comments below!

Thank you for reading my writing and I hope you return in the future!

-Alina

 

p.s. I haven’t started watching the new season of Twin Peaks yet but damn NIN on the show is wicked, see video here.